Janja Kosi

A°B’C’’ N – X°Y’Z’’ E

Part I

There is a lot of stuff back in the backyard. Paintings, models, drawings, plants. They are subjective reactions of visual perception of a place. Thoughts settle in the void of a model and in the appropriate colours charts created with the help of Google browser. They are those colour rectangles that occur before pictures load. We cannot be sure anymore, how much of the thought has been preserved and what has been lost. They hide behind plants and their ambiguous nature. On one hand, their position might be ready-made with an equal conventional value of an art piece as a painting, while on the other they are just a stenographic prop. A new independent haptic situation is being established full of questions lying in the corners of a backyard. There is a lot of stuff back in the backyard. Paintings, models, drawings, plants. They are subjective reactions of visual perception of a place. Thoughts settle in the void of a model and in the appropriate colours charts created with the help of Google browser. They are those colour rectangles that occur before pictures load. We cannot be sure anymore, how much of the thought has been preserved and what has been lost. They hide behind plants and their ambiguous nature. On one hand, their position might be ready-made with an equal conventional value of an art piece as a painting, while on the other they are just a stenographic prop. A new independent haptic situation is being established full of questions lying in the corners of a backyard. There is a lot of stuff back in the backyard. Paintings, models, drawings, plants. They are subjective reactions of visual perception of a place. Thoughts settle in the void of a model and in the appropriate colours charts created with the help of Google browser. They are those colour rectangles that occur before pictures load. We cannot be sure anymore, how much of the thought has been preserved and what has been lost. They hide behind plants and their ambiguous nature. On one hand, their position might be ready-made with an equal conventional value of an art piece as a painting, while on the other they are just a stenographic prop. A new independent haptic situation is being established full of questions lying in the corners of a backyard